Sigmund Freud, while let oning psychoanalysis, identified the three components of the human pass; the id, self and super swelled headtism. The id creation the pleasure quest breach of the soulfulness, the self being the existence principle and the super ego as the slap-up principle. rootages H. G. rise and throng Thurber use the three components of the psyche to develop their fancied characters. H. G. Wells The Door in the Wall highlights a characters essay for relaxation in his psyche. Lionel Wallace is a confused man meddling for an neglect from the dreariness of invariablyyday life. Similarly Walter Mitty, the main character from clustering Thurbers The Secret Life of Walter Mitty, is searching for balance between his ideate world and the humanity he attempts to drive a castigate smart. Through the exploitation of each characters id, ego and superego the ii authors limn men whom search for their ideal world. H. G. Wells and James Thurber illustr ate the psyches power by developing characters that make believe im view psyches, which eventually cause them to carry off frankness and bunk to reverie.         Lionel Wallace and Walter Mitty each nourish a superego, which attempts to disallow their id from controlling them. Lionel Wallace is a great deal open up at a hybridization in his journey. Many times he bumps the door federal agencystep to his utopia by and by his initial entry, however he fails to wear. Wallaces second experience with the door ¦marks the world of difference there is between the agile life of a naturalizeboy and the infinite leisure         of a sis¦this second time [he] didnt for a moment think of dip in straight a route¦ for one neighborly function [his] sagaciousness was full of the idea of getting to school on time-set on non breaking [his] record for punctuality (108). Wallaces superego prevents him from fulfilling his trust to go into th e door by maintaining his less(prenominal)o! ns that it is wrong to be latish for school. His third encounter with the door acts on the equivalent premise. Lionel is cardinal years old and it leaped upon [him] for the third time-as [he] was driving to Paddington on [his] elan to Oxford and a scholarship (107). Again he is ineffectual to enter based on his morals enforced by his superego. Wallace es displaceial let the door go on this thing because he must get to Oxford and receive his scholarship; non doing so would be unwise. As such Wallaces superego battles with his id to maintain a moral human race for him. Walter Mittys psyche works in the same fashion. Mittys superego is in constant opposition of his id. Following the conclusion of Walters first call back he looked at his wife¦with shocked astonishment (88). He is confused intimately his surroundings that pay back been suppressed by his vision. Walters superego pulls him out of his dream and leaves him in a reality he has no grasp on. He, lik e Wallace, has exsert suppressing his desire for a utopian world and therefore has a superego and id that are in opposition. However each character in addition has an ego, which disagrees with the separate separate of their psyche.         The egos of both Walter Mitty and Lionel Wallace seek reality in pose to locate their id. Walter Mitty envisions a world in which he is in a situation to be audacious. The fantasies however, end before he ever is courageous. In his first magic trick about being a pilot in the war peers say, ? [he] aint afraid of underworld! and the fantasy then ends (88). Walter returns to reality because his ego reminds him that in reality he does not learn the courage to finish his fantasy. Mittys ego continues to thwart his fantasy life while Walter is obtain, [He] began to wonder what the different thing was his wife told him to get (90). As he is attempting to believe Walters id takes oer momentarily and he envisions himself as just having confessed in a murder trial. ! This is where the dream ends and Walter remembers puppy biscuits are what he was sent for (91). Walter is again dragged away(p) from dreams caused by his id because his ego reminds him he is not courageous enough to face the consequences of murder and he is shopping for puppy food. Lionel Wallace is also forced back into reality by his ego. Wallace enters the garden and recalls all(prenominal)thing he wants, as a proceeds of his id seeking pleasure. A tail cleaning charrhood then appears and takes Wallace away from his utopia. This fair sex then shows him of a book of his life that was ¦ yet a harsh reality; that enchanted place and the restraining move over of the wicked incur at whose knee [he] stood had gone (102). The sculpt woman Wallace met leaving the garden is a direct archetype of his ego. The stern woman described as grave reminds him that his hold has dampd and is in her grave. Wallace and Mittys ego combat their id in hopes of maintaining a soul of reality. alas the id is too strong for the ego and superego cause the two characters demise.         Lionel Wallace and Walter Mitty soften to their id, which ultimately causes their rejection of reality. Lionel Wallace finds a utopia after years of ruttish trouble due to his id. His childhood was difficult as his mother conk outd when he was 2¦his father was a stern, preoccupied lawyer, who gave him pocket-size everywheresight (98). As a impression his id gave him an escape that was ¦ a conniving sense of homecoming in [his] mind (100). Lionel also gained a temporary mother figure in the form of ¦a tall, fair girl [who] appeared in the pathway and came [him] smiling¦and plagiarise [him] and kissed [him] and put [him] down and light-emitting diode [him] by the hand¦ (100). The woman represents Wallaces desire to have a mother figure. His id provides him with a divergency from his dreary life. It also ultimately causes him to die as he rejects reality. After searching for the d! oor to his ideal world they prepare his body ¦ in a deep excavation¦in which a small doorway has been cut¦ (111). Wallace is driven to find pleasure by his id, which causes him to c unexampledl into a dangerous field of force and die. Had he not seen searching for his utopia he never would have entered the door.
Lionel Wallace ¦manages at first to reject the allurements of the vision, but ultimately he succumbs (Borrello 73). Walter Mittys id also controls him so much that he is willing to die for it. Walter experiences id driven fantasies in hopes of forgetting his everyday woes. While on his way to go shopping he drove around the streets aimlessly for a time, and then drove past the hospital on his way to the parking lot (89). At this point Walter experiences a fantasy in which he is a world-renowned surgeon and is language a mans life. Walters id triggers a fantasy in hopes of creating a more(prenominal) elicit world for him. Walters final fantasy involves him being penalize as with a faint smile playing about his lips he faced the firing squad (93). The final fantasy of Walter Mitty shows his ego and superego that he does not need reality. He has the courage to root up to a firing squad In this way the story ¦encloses Mitty within the world of his dreams (Long 65). As a result Walter no agelong needs reality. Similar to how Wallace no longer needs reality because he is dead.         The characters of H. G. Wells (Lionel Wallace) and James Thurber (Walter Mitty) have a psyche in which the strength of the id eventually suppresses the ego a nd superego causing the characters to reject reality ! and flee to fantasy. Lionel Wallaces id battles with his ego and superego and the id ultimately prevails. Although his ego and superego suppress the id for a time as seen when he did not enter the door on every former he saw it. The id overcame the superego and ego eventually causing Wallaces finis as he attempted to flee reality and find fantasy in an excavation site door. Walter Mitty also flees reality to a dream world. Times when Walter is living a less then glamorous life his id takes control and gives him a fantasy world. Many times Mittys ego and superego overcame his id, telling him he should not be dreaming or he is not courageous enough to finish his fantasies. However, as in the parapraxis of Lionel Wallace, Mittys id survives and in his final fantasy proves he is courageous and thereby brings him to the full into a fantasy world. If the two characters had a balanced psyche would their fates have changed? Absolutely. Lionel Wallace would have never followed h is id and crawled into the door that led to his death. Walter Mitty also, would have never rejected his reality had his id not prevailed over his psyche. The mental unsoundness of the three components of each characters psyche caused their demise, leaving them in a fantasy world forever. Works Cited Borrello, Alfred. H. G. Wells: Author in Agony. United States of America: Southern Illinois         University Press, 1972. Long, Robert Emmet. James Thurber. in the raw York: The Continuum Publishing Company, 1988 If you want to get a full essay, crop it on our website:
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