In the preface to his play cast off. Julie, Strindberg states that a new(a) woman who tries to be equal to a man, implies a retro-gressive pure tone in evolution, an substandard species who cannot endure. (p 68, Strindberg) As is notable from this quote, Strindberg believed turbulently in the low quality of women to men, and his portrayal of this conviction in his female characters has made his cognomen synonymous with misogyny. In this try I will question how this becomes app bent in two knock off Julie and The Father. In Miss. Julie, Miss Julie herself is the plays twenty-five-year-old heroine. knowing from a unconnected engagement, which was ruined because of her attempt literally to naturalise her fiancé like a dog; Miss Julie has become dead crazy (p 76, Strindberg), reservation shameless advances to her valet, Jean, on Midsummer Eve. In his preface to the play, Strindberg discusses what motivates Miss Julie: her mystifys primary instincts, her father raising h er incorrectly, her profess nature, and the influence of her fiancé on her weak and degenerate brain. (p 65, Strindberg) He also cites as influences; the absence of her father, the fact that she is menstruating, the sensual jump and flowers, and, finally, the man. Strindberg is interested in psychology, and this list is his diagnosis of what he considers Miss Julies sickness.
The symptoms of this sickness are similar to contemporaneous symptoms of the hysteric. Traditionally considered a female disease, rage in Strindbergs day was increasingly employ to refer to a disturbance in female sexual practice - namely, a womans failure or refusal to accept her s! exual desires. Strindberg plausibly meant for us to read Julie as a hysteric, for she is simultaneously revolt and pinched to men, and is both nonsexual and seductive. Raised by an empowered beat who abhorred men, Julie is... If you want to get a full essay, order it on our website:
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